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Child damages €50m Rothko painting in Dutch museum

Anna Lamche
BBC News
Aad Hoogendoorn/Museum Boijmans Van Beuningen 'Art handlers' from Museum Boijmans Van Beuningen install Rothko's Grey, Orange on Maroon, No.8 (1960), a painting including a large black rectangle and a small orange rectangle on a maroon backdrop, in the Stedelijk Museum SchiedamAad Hoogendoorn/Museum Boijmans Van Beuningen

A child has damaged a painting worth millions of pounds by the American artist Mark Rothko at a museum in Rotterdam.

A spokesperson for the Museum Boijmans Van Beuningen said it was considering the "next steps" for the treatment of Rothko's Grey, Orange on Maroon, No. 8.

The damage occurred during an "unguarded moment", a museum spokesperson told the Dutch media outlet Algemeen Dagblad (AD) last week.

A spokesperson for the museum told the BBC the damage was "superficial", adding: "Small scratches are visible in the unvarnished paint layer in the lower part of the painting".

The abstract painting is estimated to be worth up to €50m (£42.5m), according to newspaper AD.

"Conservation expertise has been sought in the Netherlands and abroad. We are currently researching the next steps for the treatment of the painting", the museum spokesperson told the BBC.

"We expect that the work will be able to be shown again in the future," they added.

Sophie McAloone, the conservation manager at the Fine Art Restoration Company, said that "modern unvarnished" paintings like Rothko's Grey, Orange on Maroon, No. 8 are "particularly susceptible to damage".

This is "owing to a combination of their complex modern materials, lack of a traditional coating layer, and intensity of flat colour fields, which make even the smallest areas of damage instantly perceptible," she said.

"In this case, scratching of the upper paint layers can have a significant impact on the viewing experience of the piece," Ms McAloone said.

The Rothko painting was hanging in the museum's Depot – a publicly accessible storage facility beside the main museum – as part of an exhibition displaying a selection of "public favourites" from the gallery's collection.

Jonny Helm, a marketing manager at the art restoration service Plowden & Smith, said the incident had implications for UK institutions such as V&A East and the British Museum, which are considering "opening up the display of things that would otherwise be obscured in archives."

"How will this event affect other UK institutions who are opening up their archives in the same way":[]}