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Future of handmade lace 'hanging by a thread'

Greig Watson
BBC News, Nottingham
Heather Harris Heather Harris (right) sat at a table, instructing a woman in the basics of bobbin lace makingHeather Harris
Heather Harris runs regular demonstrations and lessons but says numbers have dwindled

One of Nottinghamshire's most distinctive crafts is at risk of dying out if new people are not trained, enthusiasts say.

Bobbin lace-making is a centuries-old hand technique that evolved into machine lace-making and made Nottingham world famous.

But fans of the traditional bobbin lace-making say it is a skill in danger of being lost as few new people are discovering it.

Heather Harris, 80, said: "It used to be taught in colleges and schools, but now people just don't seem to know about it."

Getty Images Vintage photograph of affluent women attending a bobbin lace making class in 1902Getty Images
Bobbin lace-making was for years seen as a useful craft for women to learn

The craft began in Italy in the 15th Century but spread across Europe due to its relative simplicity.

A pattern is laid on a pillow, then pinned out, and threads, each held on a weighted bobbin, intricately wound round the pins.

In Nottingham this developed into a literal cottage industry where families would have frames in their homes.

But the arrival of the machine-driven Industrial Revolution turned this into a global trade which dominated part of the city, which is still known as the Lace Market.

Ms Harris took up bobbin lace-making 45 years ago when her then six-year-old daughter struggled to learn it at school.

Ms Harris said: "She brought it home but couldn't work it out.

"It seemed clear to me, and when I spoke to the lady who was teaching the children, she said I should go to night classes."

Getty Images Close-up of an elderly woman making lace, with around forty bobbins on a pillowGetty Images
The craft requires patience, planning and concentration

Despite its seeming complexity, Ms Harris insists it is relatively easy to start.

"It is basically two stitches," she said. "You can learn those in 10 minutes, but it's how you put them together, that's the secret.

"I find it very calming. You sit with the pillow, and you can have the tele or radio on, and you lose yourself in it.

"If you are feeling down or worried or whatever, you sit at your lace pillow and you make your lace, and you enjoy what you are doing.

"And when you finish, you have such a lovely piece - I make wedding hankies or wedding garters for all my family."

Heather Harris Ladies sat at a table making laceHeather Harris
Two of the three teachers in the society are aged 80

Ms Harris feels the craft has been squeezed out of the public's consciousness.

She said: "There used to be clubs in schools and evening classes run by colleges, but these seem to have gone.

"We demonstrate at the industrial museum and Brewhouse Yard every month, and we have tried and tried to put it out there, but it is hard.

"We need someone who can learn and then teach it because it feels like its future is hanging by a thread.

"Two of us are 80, and the other teacher is a bit younger, but we need someone to come along and build experience.

"It seems like I've got to keep strong and go on for a few years more."

Christopher Lillimen, a trustee at the Nottingham Industrial Museum, said: "The lace industry is a major part of the area's history, and bobbin lace is a major part of that story.

"Having the bobbin lace makers here really shows the impact of mechanisation - hand lace uses a few dozen bobbins, while one of our machines here has 4,500.

"And visitors can have a go at bobbin lace-making - which they can't do with the big machines!"

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